Adrian Crowley's ninth album, 'The Watchful Eye Of The Stars' will be released on April 30th via Chemikal Underground & BadaBing Records.

The album was produced by John Parish.

The lead single 'Northbound Stowaway'

featuring Nadine Khouri on backing vocals is now available on all the usual platforms.

'The Watchful Eye Of The Stars' is available for pre-order (Heavy-weight vinyl, CD & DL)




James Joyce set to song 

Saint Patrick's Festival March 12 - 17th. 2021

Adrian Crowley along with friend  and collaborator Matthew Nolan have composed a new suite of pieces entitled 'Pomes Penyeach' that reimagines the poetry of James Joyce into the form of song. 'Pomes Penyeach' is named after the James Joyce book of 13 poems  that was first published by Shakespeare & Co., Paris in 1927 - the lyrical basis for the project. Featuring Lisa Hannigan, Cora Venus Lunny, Seán Mac Erlaine and Kevin Murphy, The performance of Pomes Penyeach was filmed and recorded in the beautiful Georgian house that is Museum of Literature, Ireland (MoLI) and is premiering at the 2021 edition of St Patrick's Festival

streaming from March 12th-17th at



ADRIAN fire2.tif


The Science Of Ghosts, the experimental doc-drama directed by the great Niall Mc Cann is now available to stream through a new platform hosted by The Irish Film Institute (IFI). You can now rent this curious gem at the IFI@Home platform here.

Director Niall McCann’s playful film blends factual and fanciful elements to reflect upon the character of talented Irish musician Adrian Crowley. While being interviewed by a film crew for his latest album, an interruption causes Adrian to ponder – what would a film about his life be like? Could it ever really reflect who he is?

His imagination takes him – and the audience – on a journey as he becomes a ghost visiting his own life, past and future. What emerges is a humorous and original take on the power of storytelling, generously punctuated by Crowley’s music.




Robert Wiene’s Das Cabinet des Dr Caligari shook filmgoers worldwide when it premiered in Berlin on February 26th, 1920. It changed the direction of the art form like no other film has since. Now presented in a definitive restoration, the film’s chilling, radically expressionist vision is set to grip viewers again. At a local carnival in a small German town, hypnotist Dr. Caligari presents the somnambulist Cesare, who can purportedly predict the future of curious fairgoers. But at night, the doctor wakes Cesare from his sleep to enact his evil bidding…
Incalculably influential, the film’s nightmarishly jagged sets, sinister atmospheric and psychological emphasis left an immediate impact in its wake (horror, film noir, and gothic cinema would all be shaped directly by it).
This special centenary screening with feature a new score performed live by Adrian Crowley, Sean Mac Erlaine, Matthew Nolan and Barry Adamson (Magazine / Nick Cave and the Bad Seeds) with live processing by Neil O’Connor.



Adrian Crowley will be performing at The Lincoln Centre, New York with a collaborative project alongside fellow musician-composers, Matthew Nolan, Sean Mac Elaine, Kevin Murphy and Barry Adamson.
The group will perform their original live score to the 1929 Rex Ingram classic which stars Rudolph Valentino.

This is a special Film Society Event for The New York Film Festival.

The score was commissioned by and premiered at the St. Patrick’s Festival Dublin in March 2018. Supported by Culture Ireland. Special 35mm print courtesy of Martin Scorsese from the M.S. Collection at the George Eastman Museum. Thanks Martin!

For more information on this event and ticket purchase, go here



Adrian Crowley's eighth album,

Dark Eyed Messenger, will be released on October 27th, 2017

It is available for pre-order here

Formats include gatefold heavyweight vinyl.

                   Adrian Crowley

                ‘Dark Eyed Messenger’

This October Dublin’s extraordinary singer, songwriter and storyteller will cast his finest spell yet with the release of Dark Eyed Messenger, a masterful work of unwavering focus and beauty.

LP / CD/ DD: 27th October, 2017

Album number eight and Crowley’s fourth for Chemikal Underground, Dark Eyed Messenger comprises 11 songs that alight on the various branches of the song tree the Irish singer/composer/songwriter has established and nurtured between his debut, A Strange Kind, in 1999 and his last release, the ravishing Some Blue Morning, in 2014.

While crowned as ever with Crowley’s mahoganied baritone, Dark Eyed Messenger is the Dublin-based artist’s first set untouched by the instrument with which he is most associated, guitar. This is just one of many surprising yet bewitching results of the album’s stress-free birth at the hands of American producer and musician Thomas Bartlett, aka Doveman (Sufjan Stevens, Martha Wainwright, The Magnetic Fields).

“Thomas said he had a potentially controversial suggestion,” recalls Crowley. “He asked how I’d feel about having no guitar on the album. I jumped at the idea. The notion of showing up and just singing appealed to me very much.”

Recorded in four days in May 2016 in Bartlett’s New York studio, the record captures not merely Crowley at the apex of his song-writing powers but also the creative lava that can flow when two perfectly aligned musical minds come together. “Thomas’s instinct and my vision seemed to work in synergy,” says Crowley. “It was moving to see him conjure these spectral sounds seemingly out of the air between us.”

As the singer suggests, Bartlett’s contribution to Dark Eyed Messenger is variously unsettling, comforting and effervescent, eliciting a sweeping array of dream-like sounds and deploying dissonance where the listener might least expect it. The result is an immersive record that inhabits a world of dusk, dreams and desire. As with Crowley’s previous releases, an air of literary depth and poetry pervades the set, reflecting its creator’s lyrical flair and elegantly assured writing style.

Evoking fragments of such diverse works as A Walk Across The Rooftops by The Blue Nile and Deserter’s Songs by Mercury Rev, Dark Eyed Messenger sounds like it took ten times as long to make as it did, an illusion that is testament to the strength of the partnership that forged it. The singer outlines how their modus operandi evolved after he first arrived at Bartlett’s studio on West 37th Street after walking from his cousin’s apartment on the Upper East Side.

“Day one set the rhythm for the week. I’d make coffee while Thomas switched things on. I’d name a song and we’d listen to my demo of it. Thomas would play it on the piano or Mellotron and I’d sing. We’d do a run through. He’d hit record. And then another song and another. He’d say, ‘Let’s do a scratch vocal’ so I’d do a take. But soon we realised my scratch vocals were final takes. By day four we had 11 songs recorded.”

While modesty prevents its creator from lauding those songs as the most beguiling in his two-decade career, as a label Chemikal Underground is happily unencumbered by such restrictions and we stand by our judgement. Dark Eyed Messenger finds Adrian Crowley at the very peak of his powers.

The striking cover art for Dark Eyed Messenger comes courtesy of Galway-based visual artist Louise Manifold.

Contact : Press / Radio / Online

Stewart Henderson Chemikal Underground
E: T: 0141 551 9574
M: 07946 353 493 

On Chemikal Underground Records.


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